For his second movement, Hindemith combines the traditional styles of classical symphonies (the second movement is typically slow, and the third a quick minuet or scherzo) and condenses these two ideas into one middle movement. The first movement is in sonata allegro form, which is commonly used in the first movement of a classical symphony. All three movements employ a simultaneous recapitulation of the previously presented themes. The piece is also an example of Hindemith’s interest in cyclic forms. The symphony demands a wide range of styles from intensely lyrical, to heavy and martial, exploring both the soloistic and ensemble potential of the wind band. The symphony is an excellent example of the application of Hindemith’s systems of composition. Hugh Curry, conductor of the United States Army Band, and premiered in Washington D.C. Symphony in B-flat was commissioned by Lt. and taught at Yale University from 1940 until 1953. In 1934, in spite of his accomplishments, Hitler’s government banned Hindemith’s work because of its extreme modernism. During the 1920s, Hindemith gained recognition as a major composer, was named professor of musical composition at the Berlin Hochschule für Musik. From 1915 to 1923, he was concertmaster and then conductor of the Frankfurt Opera Orchestra. At the age of 13, while at the conservatory, he supported himself by playing in dance bands, theaters, and cinemas. Paul Hindemith was born in Hanau, Germany on November 16, 1895, and studied at the Hock Conservatory in Frankfurt. Instrumentation (Advanced – Multiple part divisi): – General instrumental range for parts would be considered advance: Mastery of complete instrumental range ( e.g. – Rhythmically complex with lots of layering withing the section – Melodic contour tends to be disjunct and cover large intervalic leaps – Time signatures are complex and change frequently layering of duple and compound – Overall key center is B-flat, but moves through all of the modes of B-flat, not always “major” Elements about Hindemith’s Symphony in B-flat (*score is written in C, “concert pitch”)
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